Anatomy of a handaxe

.DSC_1310I am a visual person, and the above title is a reference to a film, Anatomy of a Murder. More specifically it is a reference to the poster for the film, designed by Saul Bass. This handaxe was made from a large flake, from the largest slab of Runton beach flint. I have angled it so that the step fracturing is clear. Generally speaking, step fracturing is not good. I used a soft hammer on a lot of this and the step fracturing is a result of that. I am still learning.

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This handaxe is from our teaching collection and is ‘real’, real being Lower Palaeolithic and therefore produced by someone called Homo heidelbergensis. Main thing, look at the step fracturing, it is not just me.

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If we look at the edge blunting this is largely to do with movement through an abrasive sediment, perhaps over millenia. Originally it would have been sharp like mine. The orange colour has been absorbed from the environment it has been resting in. If it were chipped again the original colour would be revealed.

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This is the poster I like, and paradoxically it illustrates what a handaxe was probably used for: dismembering a carcass. This is an interesting theme for me. I am now good enough to produce ugly functional stuff consistently, but I get satisfaction from producing the aesthetic pieces. It is definitely not an either / or situation. It does however throw light on how experimental production is used today, and of course the different ‘economic’ contexts of myself and Homo heidelbergensis.

 

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My best barb and tang arrowhead made from a flint flake

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I am really pleased with this one. It is the culmination of a series of themes, including the belief that flint is harder to work than glass. This is still true, but I had a very different experience of working this flint than I did with the Kilmarnock type arrowhead I made a few days ago. They were two very different kinds of flint, and this was made from a flake I had lying around in the back yard so I have no recollection as to which nodule it came from.

Anyway, I now have a set of Bronze Age arrowheads for my workshop on Saturday showing the different materials that can be used for personal practice. For me it legitimises my idea that it is not just possible, but actual, to develop knapping skills on one material and then migrate over to other ‘more archaeological’ materials. As you can see a small section of the left hand barb broke off the flint example. Whilst that should diminish the pleasure I got from making it, it doesn’t. It was simply part of the making and learning process, learning that I have reached a place that I am very happy with. I have a skill and an aesthetic that I can systematically apply to a series of materials. I also have a method to enable other people to do the same. Bringing those two aspects together is immensely satisfying for me.

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