I was planning to just present the photographs because as usual Pete Yankowski has done an excellent job of recording the event. However, when laying them out I thought it may be of interest to say a little about how the workshops are organised and explaining what I have learned from this process. I have done half day and full day workshops at the Old Abbey, and I have found a half day four hour workshop works for the pub, as well as myself and most participants. Quite often the workshops are collaborative, and this time I was directing the pendant making, and Edwina Staniforth making willow bast cordage for the pendant. The workshops always start out with an introduction to the topic. The periodisation of prehistory, and the concept of understanding the past through objects can be alien to many people. Consequently I use this section to explain these ideas and sow the seed that by making an artefact we can also use this active process to learn something about people in the past. Discussing this together at the end can enrich both our own, and everyone else’s understanding of the past. I end the introductory session by presenting us all with a research question, to keep in mind throughout the making process: “what (if anything) can experimental archaeology tell us about people in the past?” I overran by 15 minutes and then Edwina explained the processes she had already completed to get the willow bast to a stage that it could be worked on the day.
And then we went outside. Rachele Evaarooa and Craig Thomas from the Old Abbey have been fundamental for me getting these workshops up and running. As well as providing encouragement they also provide me with the space to host them free of charge. The external space is an old cobbled road with an awning protecting us from both the sun, and the rain. On this occasion it provided us with shade on what was a beautiful warm and sunny Saturday. The group was split into two, so that as one group produced the cordage, the other group could make the pendants. We would have a break for half an hour at 3pm, and the the groups changed tasks meaning everyone got to do both activities.
Making the cordage was a more complex process than making the pendant. Consequently, Edwina ended up completing a couple of people’s cords so that they could hang their pendants at the end of the workshop. By contrast, the pendant making needed minimal instruction and people were off! The shale pebbles had been collected by Rina Srabonian, Karen Buckley and myself from Runswick Bay north of Whitby the week before. The main task was to find a pebble thick enough to not break, but thin enough to be able to drill through successfully. They all aced it.
I had produced twenty or so flint drills to make the hole. These were made from waste flakes from the wheelbarrow full of debris generated from our knapping experiments. As drills they work really well.
We had looked at the Star Carr pendant design in the introduction, but it was really interesting to see how people engaged with the tools and materials to develop their own designs. I would say the group as a whole were confident in their artistic abilities and at least one of them was an experienced jewellery maker.
The above photograph is of a worn down flint drill after being used for making a series of holes and engravings. I have talked about it in another post but the best bit for me is where we share with each other our experience of the process and attempt to answer the original research question. It is important to me that we create a conducive environment for people to contribute, and I encourage everyone to do so. I am terrible with names and so we all have name badges which helps me to facilitate this process.
Anyway, the results. After everyone had combined their cordage with their pendants Pete arranged them to take some pics. This brought the two groups of makers together and gave everyone a chance to chat informally to everyone else. We all had something in common, and it seemed we all had something to say. One thing I am learning from these workshops is how this overall process creates community. Archaeology is an inherently interesting subject and a group of people coming together to engage in process and discussion seems to really work well.
And of course we all had something to wear! Post workshop feedback suggests the willow cordage is too abrasive to wear next to skin. Edwina chose willow bast because it is the appropriate material for this time of year, however there are other forms of cordage that would be less abrasive, but not available yet.
Anyway, the only person not in the photographs is Pete Yankowski, so here is one of him, and a link to his website. Enjoy!